📚 “The Conspiracy Museum,” by Robin Sloan
Science fiction’s preoccupation with privacy
“Dark Constellations is a slim allegory written with a chat forum’s acrid wit, while The Old Drift is a sprawling epic that unfolds with the wild detail of a Hieronymus Bosch painting … The novels share a provocative core idea: that colonialism was a massive invasion of privacy, and that technology is on track to rival it.”
📚 Dark Constellations, by Pola Oloixarac
📚 The Old Drift, by Namwali Serpell
The novel that asks, ‘What went wrong with mankind?’
“In [Richard Powers’s] tree-mad novel … trees speak, sing, experience pain, dream, remember the past, and predict the future. The past and the future, it turns out, are mirror images of each other. Neither contains people.”
📚 The Overstory, by Richard Powers
The remarkable rise of the feminist dystopia
“Writers including [Louise] Erdrich, Leni Zumas, and Bina Shah are warning readers of what could happen in a near-future world, with sperm counts mysteriously plummeting, global temperatures and STD rates rising, and a pivotal anti-abortion vote poised to tip the balance of the Supreme Court. Dystopian fiction isn’t soothing anymore. It’s too close for comfort.”
📚 Future Home of the Living God, by Louise Erdrich
📚 The Handmaid’s Tale, by Margaret Atwood
📚 Before She Sleeps, by Bina Shah
📚 Red Clocks, by Leni Zumas
The peculiar blindness of experts
“Reliable insight into the future is possible … It just requires a style of thinking that’s uncommon among experts who are certain that their deep knowledge has granted them a special grasp of what is to come.”
📚 Range, by David Epstein
About us: This week’s newsletter is written by Myles Poydras. The book he’s reading next is Known and Strange Things, by Teju Cole.
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